david mckinstry

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We haven’t visited with General Friend Palmer in forever!  You remember him, right? The author of Early Days in Detroit, casual historian, lover of dilapidated graveyards, cousin of Senator Thomas W. Palmer, my hero?

Here’s a secret: I’ve been calling on him for help for months now, and keeping his insights all to myself — until now.

It was a fluke when I found out that Friend Palmer’s scrapbooks are intact and available for perusal at the Burton Historical Collection. Imagine my surprise when, after waiting for some mundane item I’d requested to float up from the archives, the librarian handed me a creaky old album, full of clippings of the most miscellaneous order. The initials on the inside cover: F.P. And I knew at once.

The scrapbooks are fragile, the paper rippled from age, and they tend to leave little piles of disintegrating matter wherever they are set. This is a crying shame for preservation’s sake. But compared to Clarence Burton’s scrapbooks — which are archived on microfiche — and from a very selfish standpoint, these hard copies are a charm unparalleled.

I adore them. Along with clips of Palmer’s own historical articles in the Free Press and news of local interest, they include clips about Napoleon, the life of Abraham Lincoln, royal celebrities, recipes for longevity (onions: nature’s miracle!), cartoons about wives (oh, wives! always asking for fancy trunks and scarves and things!), homely parables about being nice to your wife and your family, poems, and portraits of comely Victorian ladies.

And perhaps the most delightful thing in the General’s scrapbooks are his own notes.

Remember Colonel David McKinstry, and his museum? Here’s what General Palmer wrote about it in Early Days:

The museum … contained many rare and curious objects, among which were three Egyptian mummies, a fine collection of wax figures, also a variety of beautiful and rare specimens of birds, beasts, minerals, shells, etc; with many interesting curiosities in nature and art. There were many splendid cosmoramic views, and in the evening phantasmagora and phantascopal illusions were exhibited. The museum was quite popular and a source of considerable revenue to the colonel.

Dramatic exhibitions of a light vaudeville character were given in the fourth story, and laughing gas was also administered to those who desired it. This giving of laughing gas was somewhat dangerous to the operator and to spectators as well. A partition extending from the floor to ceiling hemmed in the partaker of the gas from outsiders. Many funny incidents occurred connected with this pastime. While under its influence, the partaker usually acted out his peculiarities or proclivities, laughing boisterously, dancing, boxing with an imaginary foe, declaiming, etc. It was quite a feature and always attracted a large crowd.

I was doing some research about McKinstry and found an article in Palmer’s scrapbooks about the history of Detroit’s museums. And this made me laugh out loud:

A picture captioned “McKinstry’s Museum” ran alongside the story. Palmer crossed it out with a blue “X”. “This is Stowell and Rood’s book store + Not McKinstry’s Museum!” he wrote on one side.

He crossed out the caption; below it, he just wrote: “No!”

Another illustration of a different museum ran with the story, apparently correctly identified, for Palmer wrote beneath it: “I have been there often,” and “Yes, this is so.”

First of all, laughing out loud in the library is the best. Secondly, I’m grateful that General Palmer corrected the record. Later that day, when I pulled the image file on McKinstry’s museum, it contained only a small clip of the image that ran with Palmer’s article. And I just thought in my head: NO!

Thanks, General.

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Have you visited dia.org since they revamped their website? I wouldn’t normally ask, but browsing their collection is a lot easier and more fun to explore. You can zoom around artworks with little magnifiying glass tool! I like it. You should check it out, if you’re into that sort of thing.

Here’s what brings this up:

A while ago I wrote about my (so far fruitless) search for a Thomas Mickell Burnham painting of the burning steamboat Great Western. Burnham, you might remember, is responsible for this painting of the Michigan’s first state election, held in Detroit in 1837. It’s on exhibit in the DIA’s American Art galleries, and as a document of city history, it’s pretty fantastic.

You might also have read a short post I wrote about Michigan Gardens, the wild and wide-eyed entertainment complex created by Colonel David McKinstry, with its bathhouse, menagerie, museum of curiosities and visiting circus.

So I just learned that General Friend Palmer (you know I love him) was a Gardens patron:

The museum … contained many rare and curious objects, among which were three Egyptian mummies, a fine collection of wax figures, also a variety of beautiful and rare specimens of birds, beasts, minerals, shells, etc; with many interesting curiosities in nature and art. There were many splendid cosmoramic views, and in the evening phantasmagora and phantascopal illusions were exhibited. The museum was quite popular and a source of considerable revenue to the colonel.

Dramatic exhibitions of a light vaudeville character were given in the fourth story, and laughing gas was also administered to those who desired it. This giving of laughing gas was somewhat dangerous to the operator and to spectators as well. A partition extending from the floor to ceiling hemmed in the partaker of the gas from outsiders. Many funny incidents occurred connected with this pastime. While under its influence, the partaker usually acted out his peculiarities or proclivities, laughing boisterously, dancing, boxing with an imaginary foe, declaiming, etc. It was quite a feature and always attracted a large crowd.

Well, of course it did.

Of Colonel McKinstry, Palmer writes:

[He] was indeed a man of  many parts, enterprising, public spirited and somewhat of a Bohemian. He was tall and heavily built, rather abrupt in manner and speech, yet of a warm, genial disposition which made him quite popular. He was fond of parade and show, was either a major or colonel in the militia —anyway, everyone used to call him colonel.

… His success in most every venture led someone to call him “Silver Heels,” a name that stuck to him through life. A fair representation of the colonel is given in the picture painted by Thomas Burnham entitled “Election Day at the Old City Hall,” when Stevens T. Mason ran for governor against C. C. Trowbridge.

I love when separate delights intersect like this.

Ready to meet Col. David McKinstry? Here he is:

BEAVER HAT! CANE! OPEN SHIRT COLLAR! I’m smitten.

I guess the General witnessed this first state Election Day first-hand; he would have been seventeen.  He shares the words of another writer on the occasion of Michigan’s first gubernatorial contest:

The season had been wet and Woodward and Jefferson Avenues were about half a leg deep in mud porridge. Yet a grand Democratic procession was organized to pass through it. Mr. Stilson was the grand marshal. He rode a horse which was completely covered with a cloth of gold, and he himself was decorated with all the glories of a Grand Legion of Honor. And the way he rode at the head of the column was like Mars on the Captoline Jupiter. A small schooner, fully rigged and manned, and mounted on wheels, and drawn by six or eight horses, was an important feature in the line. And there Democracy marched to the music of the Union.

Here’s Mr. James Stilson, a prominent auctioneer (and according to the General, dog breeder, and megalomaniac), leading the procession:

IF ONLY MICHIGAN GUBERNATORIAL ELECTIONS WERE STILL THIS EXCITING!

Many millions of thanks to the DIA for obligingly sending me the key to all of the people and buildings in this painting, although head-smackingly, if I had read an extra couple of chapters ahead in Palmer’s book, I would have found all of the information right there. It happens.

Speaking of Stevens T. Mason, how’s the Capitol Park project progressing? Anyone know? Are Mr. Mason’s bones reinterred yet? I want to spend some time with the Stripling.

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menagerie

The public are respectfully informed that the Garden continues open to visitors. The Museum, consisting of some of the finest specimens of Ornithology, Minerals, Coins, natural and artificial curiosities, and a Grand Cosmorama occupying one building of the Garden, another containing thirty seven wax figures of some of the most interesting characters. The Garden will be illuminated every fair evening and a band of music will heighten the enjoyment of a walk through upwards of three thousand feet of promenade walk.

Refreshments as usual. The Baths are likewise in order for company.

Aug 19., 1840

(From Silas Farmer’s History of Detroit and Michigan, 1884. Unrelated illustration from the Library of Congress.)

David McKinstry came to Detroit from Hudson, New York in 1815 with his wife and four children. He didn’t have any money or a bankable trade, but he was a hard worker and an apparently ambitious guy. He joined the fire department, was soon appointed inspector of the port, and eventually attracted the attention of Lewis Cass, who placed him as commissioner on several territorial projects, including the Saginaw Road and the establishment of a county seat. I suppose in a sloppy harbor settlement of a few thousand people, it might not be too hard to get your name out there. Nonetheless, David McKinstry made his name. He served as a contractor on the county court house, established a ferry across the river (operated by French ponies, somehow) and was elected alderman in 1824.

But besides his generally industrious city- and state-building endeavors, McKinstry busied himself with an entertainment empire that must have been a huge spectacle at the time: the Michigan Garden, with its accompanying theater, circus, menagerie and museum of curiosities. (It may have been the city’s first “museum” proper; it opened in 1834.)

David McKinstry came to my attention via History of Detroit for Young People, which I just checked out of the library again. His collection of bathtubs, novel at the time, is really what started this whole inquiry:

The earliest tub in the United States was built in 1842, in a house in Cincinnati. It was a large and expensive arrangement in a mahogany case and its owner showed it to his guests at a Christmas party. He invited them to try it out, and several men did so. The newspapers went after him and said we were a simple republican people and that we ought to be ashamed to imitate the foolish luxuries of Europe.

… While Cincinnati was proudly boasting about her new stationary bathtubs, Major David C. McKinstry, a prominent Detroiter, not to be outdone, in the early forties put a number of wooden tubs in a small building facing his amusement park … One could take a bath and have a band concert near at hand, while the clatter of dishes, the cries of the animals in the little zoo, and the chatter of merrymakers in the park echoed pleasantly through the thin walls. You would not mind a bath with such a happy setting, would you?

David McKinstry’s museum and most of its collection was destroyed by a fire in 1842. Oh, and his son Justus McKinstry was a controversial Civil War general who may or may not be responsible for the phrase “pork barrel spending.” A lot more information about the McKinstry family is available in Rogue, a biography of the General, here.

justus mckinstry

Now I’m kind of excited about early circuses, museums and public gardens. If you know about any good ones, why are you keeping it to yourself?

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