belle isle conservatory

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Last weekend I hosted my first out-of-town guest. She was a good sport, and highly amenable to being dragged around on whatever journeys we felt would be edifying. With Detroit, even when you’re showing it off to the dear people in your life who are smart and perceptive and fair and not creeps, the pressure is on to get it right. I don’t want anyone going home to Milwaukee wondering why I left, or telling all of our friends that love it as I may, I live in an awful place.

I think we did the best we could with the time we had: a greatest hits tour that started with Grand Circus Park and a loop on the People Mover, then on to Campus Martius, the Guardian Building, Belle Isle & the Conservatory, Jim Scott and his Folly, Flower Day at Eastern Market, anteaters at the Zoo that wrestled like puppies, and lots of time in between for eating and drinking and hanging around. We drove by the Garland Stove, all locked up behind the indefinitely shackled State Fairground gates. We introduced her to Hazen S. Pingree, William Cotter Maybury, the good people of City Bird and Cass Café. I narrated everything kind of  shakily, blurring details and scrambling chronologies and not answering questions very well in my great excitement to share it all.

Lately it’s been hard to let my mind settle on one topic of interest for a nice, slow, productive stretch. Every night that goes by without attention paid to Detroit history brings anxiety, doubt, and a party of excuses: too much noise on the input channel, too many hours at my day job, too many glasses of wine when my day job is over, way too much fret expended on this wedding I’m having which, while nowhere near go-day (we haven’t even scheduled go-day), is starting to take on some promising shape.

Then I remember that this is just called writing. Sometimes you like it. Sometimes you don’t. Sometimes it’s easy. Sometimes it’s not. Sometimes you just don’t have time for it, and other times, when you do, you just can’t make heads or tails of anything.

All week after my friend left, I tried to write about anything, anything, we saw together. Eastern Market? It’s really old — in the 1880s, Silas Farmer was getting nostalgic about the way it “used to be”:

The glory of the ancient market-days has departed. The black-eyed, olive-skinned maidens, in short petticoats, from the Canada shore, no longer bring “garden-sauce and greens,” the French ponies amble not over our paved streets, and little brown-bodied carts no longer throng the marketplace. In the brave days of old, every one went to market, and most persons to the City Hall Market. Marketing and visiting were combined. In the market the rich and poor met together; it was common ground, and the poorest were sure of a “good morning” from the richest in town.

What about Belle Isle? Ile de Cochons? Where the French let their wild hogs loose to get rid of all the rattlesnakes? The island that, in 1769,  Lt. George McDougall, with permission from George III, bought from Ottowa and Chippewa Indians for “five barrels of rum, three rolls of tobacco, three pounds of vermilion, and a belt of wampum, an additional three barrels of rum and three pounds of paint to be delivered when possession was taken”? The place where an appraisal from 1780 reported “3 dwelling houses, A fowl house, Some lumber, and 1 old barn without a top”?

The fiancé thought there might be a good story in how the anteaters got to the Zoo.

I’d lay in bed for long stretches, surrounded by big fat history books, idly paging through them, waiting for something electrical to surge in me. I’d get frantic: there just seemed to be so much to talk about, so much to learn about, so much I know nothing about, and so many connections to zip together.

In the end it was Silas Farmer that helped me push through this boring block, not with an account of “Uncle Ben” Woodworth and his Steamboat Hotel or reports of the municipal animal pounds that became important when the growing city got too crowded with loose livestock. It was his gentle and encouraging introduction to the book, which discusses his approach to writing about history, that shook me to action. A few excerpts:

In view of the strange and interesting incidents connected with the history of Detroit, and the fact that it epitomizes the history of half the continent, and furnishes much information that is duplicated in the annals of no other city, it seems strange indeed that no one has heretofore attempted a comprehensive view of our fair domain. Undoubtedly there are those who could have woven a finer web, but none could be more earnest or enthusiastic … I have studied Cadillac’s own writings, handled tomahawks and scalping-knives stained with the blood of a century ago, read original letters written by Gladwin and Clark and, bending over the moldering dust of Hamtramck, “the friend of Washington,” have received inspiration for my task.

… As Columbus, when he saw branches of trees and seaweed drifting from the west, was led by the law of induction to infer the existence of America, so a true historian, by the presence of certain facts, foreknows the existence of others, and, like Columbus, he is ready to sail upon every sea in search of what is known but undiscovered, and as he searches for one truth, innumerable others come like reefs and islands into view.

… If to be a reliable historian, one must be always cool, and calm, and unimpassioned, as some would have us believe, then I must acknowledge that I was unfitted for my task. It seems to me, however, that even in local history, the historian should be full of both the fervor and the flavor of the times he would describe.

I think anyone who throws him or herself to work on something they love can relate to the real ardor that Silas Farmer brought to his colossal (and is it fair to say unmatched?) project, A History of Detroit and Wayne County and Early Michigan (which you can read in full, online). And when it’s tough and confusing and hard to pull it all together, it’s nice to be reminded that the work is its own reward.

A final reminder from the book’s dedication (to Senator Thomas W. Palmer):

During the progress of this work many friends have greatly aided me in many ways; one of them, like myself a native of the city, not only assissted me in the manner of others, but also gave me special encouragement, saying, oftener doubtless than he remembers: “Don’t let yourself be hurried; take time to do it well.”

Cheers to that.

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belle isle conservatory

It’s getting warmer, but it’s not as warm as you think it is, a lesson I have learned the hard way this week after multiple attempts to go outside without a coat and take some long walks.

My bright idea yesterday was a stroll on Belle Isle in a skirt and tights and flimsy flats. Luckily for people like me, who constantly find themselves under-dressed for the near-spring weather, the Anna Scripps Whitcomb Conservatory is open 7 days a week, 365 days a year, and it’s like a tiny tropical vacation under glass. When I walked past, an old man opened the door and shouted, “Get in here, where it’s warm!”

palm tree

Built in 1904 and designed by Albert Kahn, the Conservatory is named after Anna Scripps Whitcomb, daughter of Detroit News founder James E. Scripps and bequeather of the massive orchid collection — now the largest city-owned orchid collection in the country — that makes the whole place smell like paradise. Many of her orchids were saved from Great Britain during Word War II.

pink flowers

Botanical gardens and conservatories (like their cousins, aquariums) seemed so boring and pointless to me, for the longest time. I’d say it’s because the pleasure and beauty they offer is subtle, except some of these plants are completely outlandish, and the fact that they’ve been collected from wild climates all over the world and thrive under one roof is astonishing.

I liked the common names of these whimsical creatures, for instance:

felted pepperface

The felted pepperface, as well as:

gold dust

The gold dust plant, and my favorite:

shrimp plant

The shrimp plant.

Back out in the cold, almost-not-winter afternoon, in the formal gardens, the Levi L. Barbour Memorial statue of a wheeling gazelle, by Marshall Fredericks, is stunning:

fredericks gazelle

This statue, which won a national prize in 1936, was Fredericks’ break-out success (he was commissioned for the Spirit of Detroit almost 20 years later). I love the lettering at the base of the fountain:

to my fellow citizens

And even more, I love the four smaller statues at the foot of the sculpture, which represent wildlife local to the area: the grouse, the hawk, the otter and this adorable little rabbit:

marshall fredericks rabbit fw

I wish I had come to the Conservatory earlier in the winter; the greenery and the humidity and the smell of flowers and this incredible sculpture that I just fell in love with really did something good for my sinuses and for my heart.

At least now I know that it’s there when I need it.

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